7. 乌利塞,阿尔德罗凡迪。 在他死后,我吃了书中剩下的四种动物:不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚:J.B.Bellagambam,1606年。 高清作品[40%]

De reliquis animalibus exanguibus libri quatuor, post mortem eius editi: nempe de mollibus, crustaceis, testaceis et zoophytis. Bologna: J.B. Bellagambam, 1606.

图片文件尺寸 : 4745 x 4602px

ALDROVANDI, ULISSE.:De reliquis animalibus exanguibus libri quatuor, post mortem eius editi: nempe de mollibus, crustaceis, testaceis et zoophytis. Bologna: J.B. Bellagambam, 1606.
Folio (358 x 230 mm). Engraved title with architectural border, engraved portrait, woodcut illustrations throughout. Modern morocco-backed marbled paper boards, gilt titles to spine. Engraved title repaired and laid down, as is the \"Registrum\" at end.

FIRST EDITION of Aldrovandi\'s treatise on shellfish, octopi, shells, and jellyfish—one of the earliest works and the largest assembly of conchological illustrations and descriptions to date. Aldrovandi \"was among the first to attempt to free the natural sciences from the stifling influence of the authority of textbooks, for which he substituted, as far as possible, direct study and observation of the animal, vegetable, and mineral worlds\" (DSB). Nissen ZBI 68.

乌利塞,阿尔德罗凡迪。 在他死后,我吃了书中剩下的四种动物:不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚:J.B.Bellagambam,1606年。

下载乌利塞,阿尔德罗凡迪。 在他死后,我吃了书中剩下的四种动物:不是熔化的、甲壳动物、目击者和浮游动物。博洛尼亚:J.B.Bellagambam,1606年。大图

8. 贝隆,皮埃尔。1517-1564. 奥赛奥克斯的自然历史,连同他们的描述和侏儒肖像画从自然中移除。巴黎:纪尧姆·卡韦拉特,1555年。 高清作品[35%]

L\'histoire de la nature des oyseaux, avec leurs descriptions,  naifs portraicts retirez du naturel.  Paris: Guillaume Cavellat, 1555.

图片文件尺寸 : 5224 x 5452px

BELON, PIERRE. 1517-1564.:L\'histoire de la nature des oyseaux, avec leurs descriptions, naifs portraicts retirez du naturel. Paris: Guillaume Cavellat, 1555.
Folio (320 x 218 mm). 7 parts in one volume. Woodcut printer\'s device on title and six sectional titles, woodcut portrait of Belon on title verso, two woodcuts of human and bird skeletons and 158 large woodcuts in text of birds by Pierre Gourdelle and others, numerous 11-line and smaller ornamental woodcut initials and head-pieces. Mid-18th-century vellum (endpapers watermarked 1742). Two leaves (l1 and g5) with repaired tears crossing text, some minor staining.

FIRST EDITION (Cavellat issue). One of the most important ornithological works of the Renaissance illustrated with beautiful woodcuts drawn from observation of live specimens. Belon, \"one of the founders of the renewed studies of birds ... mentions about two hundred different birds, mainly European, but some foreign. He made many original observations ... [also treating] anatomical and morphological conditions\" (Anker), whilst also drawing upon earlier writers such as Aristotle and Pliny. Schwerdt notes that the second part \"is interesting to falconers,\" the fine woodcut illustrations including a depiction of a falconer luring a bird, and several of owls, \"including the eagle owl, much used in hawking.\" Anker pp 9-10; BM/STC French p 46; Garrison-Morton-Norman 283 (Cavellat issue); Harvard/Mortimer French 50; Nissen IVB 86; Norman 180.

贝隆,皮埃尔。1517-1564. 奥赛奥克斯的自然历史,连同他们的描述和侏儒肖像画从自然中移除。巴黎:纪尧姆·卡韦拉特,1555年。

下载贝隆,皮埃尔。1517-1564. 奥赛奥克斯的自然历史,连同他们的描述和侏儒肖像画从自然中移除。巴黎:纪尧姆·卡韦拉特,1555年。大图